The Brooklyn Rail

• J. Bouey & Jacqueline Green with Thomas Ford

• Melanie George & Ali Rosas-Salas with Thomas Ford

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Dance Magazine

• Struggling With Stage Fright? Use These 3 Tips to Conquer Your Fears

• What Do Summer Audition Panelists Want? Here Are Answers to Your 7 Biggest Dilemmas

• Make the Most of Judges’ Feedback

• 5 Ways Teachers Can Pull More Artistry Out of Students’ Solos

• Should You “Make the Movement Your Own” in Auditions?

• Why Dance Mission Theater Is Starting a Reparations Program

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The Dance Enthusiast

• "Trilogy" Is Black and Proud

 

CultureBot

• Francesca Dominguez’s “Galvanizing Steel” Is Capable

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Medium

• Calling Out Bravo’s “Housewives” Because ‘Calling In’ Is Absurd​

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Dance Spirit

• 5 Black Women on the Obstacles of Dancing While Black

• 4 Queer Dancers Taking Over TikTok—and Maybe the World

• How to Support the Black Dance Community, Beyond Social Media

• Here's Why You Should Credit TikTok Dance Creators—And How to Do It the Right Way

• 4 Latinx Dancers Breaking Boundaries

• The Space Between: Being Gender-Nonconforming in the Dance World

• 4 Colleges Committed to Diversifying Their Dance Curriculums

• 20 of Our Favorite 2020 TikToks

• 5 Young Dancers Doing Good in 2020

• How to Stay Organized in the Pandemic-Era College Dance Application Process

• 5 Standout Comp Kids You Should Be Following—Now

• How to Be a Better Ally to Your Black Dance Friends

• The Serious Dancer's Guide to TikTok 

• 4 Black TikTok Dancers You Need to Know 

• Stay Creative with These 5 Improv Exercises You Can Do at Home 

• Making Moves at HBCUs 

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Dance Teacher

• How to Know If Graduate School for Dance Is the Path for You

• How to Mentor Your Students Who Want to Become Teachers

• Dance Teacher Award Honoree Ronald K. Alexander Is Still Opening Doors for Young Ballet Dancers of Color

• 5 Tips for Making Online Classes Work for You

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